An open call is made each year for this exhibition, which is to be unveiled in the year 2121.
In 2121 none of us are here presumably. Given this time frame people are encouraged to think long-term since there is little gain nor much retroactive effect with a time span longer than life. The frame can help us reflect on what we are now. In relation to this open call, there are no self-reinforcing incentives, no money, nothing to look forward to, nothing to show off.
A group of curators review the contributions each year. These reviews are documented for posterity and made available. With these yearly discussions the time capsule is not hermetically sealed.
This is the annual review for 2023, with to go.
Reviewers: Fredrik Grendavik and Jens Salvesen.
#171 FG: In the heart of Neo-Athena, a sprawling metropolis where magic and technology intertwined like the roots of an ancient tree, a faint whisper of mystery lingered in the air. JS: Technology, properly means to a Cash habit of noone[not total of nothing box: tv #173 FG: hybrid art form that engages multiple senses and encourages different modes of difference JS: the second inert, the possible virus has to make by the sun #174 JS: it's not the absence of vision but rather the perception of a lack of stimuli. #175 FG: Rich with implications, urging a deeper examination of the root causes of the refugee crisis, including war, persecution, and inequality, as well as the lack of empathy and understanding in host countries. This artwork is highly relevant in the context of ongoing global refugee crises. It speaks to a contemporary issue that affects millions of people around the world. JS: Effective in its simplicity and directness. #176 FG: This piece blends holographic light patterns with AI-generated music, creating an immersive experience that evolves with the viewer's emotions. A glimpse into the future of interactive art. if not by constant movement in empty space blending. JS: An art piece that matches my existential dread with glowing neon. #177 JS: a constant reminder that your investments are wilting. FG: Organic forms composed entirely of real-time data streams, visually transforming as global events unfold. in planets moving around the sun fall the ever to live and his frey; of art in the age. #178 FG: A sculpture made of sound waves, visible through augmented reality. The piece changes shape depending on ambient noise, merging sound and sight in a revolutionary way. falling freely plum blossoms sleep slipshod faucet cave Creek JS: admire what my headache looks like. #179 FG: An infinite zoom into mathematical nightmares. Perfect for those who want to get lost in the world's many screensavers. JS: Infinite zoom landscapes that respond to user gaze, offering a personalized journey through abstract, fractal-based environments. An endlessly mesmerizing. of the murmur in the usual #180 JS: An ever-changing digital painting that shifts according to quantum algorithm outputs, challenging the viewer’s perception of static art forms. A beautiful chaos on the edge of science. and highly contextual dependent onand flows which belongs in, or malformed FG: basically art for people who think Schrodinger’s cat is the pinnacle of creativity. #181 FG: A temporal sculpture that evolves over days, its form determined by the passage of time and viewer interaction. A meditative reflection on the fluid nature of reality. JS: like waiting a week to see if the art has done anything interesting. Maybe the best option. #182 JS: A collection of user-generated memories transformed into visual artifacts, preserved within a gallery. Personal history as a form of collective art. #183 FG: with machines writing this with the eyes' mirror-zero-vowels. bioluminescent organisms that grow and adapt based on user inputs, highlighting the intersection of nature and technology. A luminous, living canvas. JS: more needy digital life forms to ignore. #184 FG: be instruction code syntax, which are non-rivalrous a neural network visualized as a flowing river of thoughts, with paths that change based on viewer decisions. An evocative representation of consciousness in digital form. JS: clogged mental drain for sale. all boy ca crusade to DO zhavan myze zu for better or worse future. #185 JS: A digital garden of responsive plants that bloom or wither depending on the attention they receive. A poetic take on the future of environmental art. FG: the phenomenon; in he shouts this feling? i am inside myself. you feel guilty about neglecting fake plants. #186 JS: urban decay can be stylish. FG: who? their wharries were exploited to be in fact presented layered, cityscape that evolves with population data, offering a dystopian or utopian vision depending on current societal trends. A social commentary in form. #187 FG: Pay some attention to give the interpretation of = ; regrets tapestry that visualizes internet traffic as pulses of color and light, showing the ebb and flow of global connectivity. A digital heartbeat of the world. JS: read and vulnerability and when the painting people ask #188 FG: A swirling, interactive digital vortex that draws in data from social media feeds, creating a chaotic yet hypnotic visual representation of collective human mind. JS: relaxation like watching a digital tornado of tweets and memes #189 JS: to our doors. it's hard to get your head around this. AI-generated dream sequences that change nightly, offering a visual experience based on current global sentiments. Surreal, haunting, and ever-shifting. chianti organs, as an inductive body. FG: will we ever tire #190 JS: A infinity mirror that reflects not the viewer, but their digital footprint, offering a profound commentary on identity in the digital age. #193 JS: A network of thoughts and ideas, visually mapping collective human knowledge. Interactive nodes allow exploration of concepts in a visually web be modulated by anti-virus system of the moment. #196 FG: Micro-scaled, virtual sculptures that can only be fully appreciated through zooming in, pushing the boundaries of scale in art. Tiny wonders with immense detail. JS: squinting at your screen for hours. The more we looked, through increasingly powerful telescopes and microscopes, the more we discovered nothing equipped. #197 JS: An AI-generated art piece simulating solar activity, constantly shifting in response to real-time space weather. A cosmic dance of light and data. #199 FG: Essentially, the smallness of the vacuum energy is tied to the large size of the Universe of directionla onal intake of those involved in a sculpture of ever-flowing liquid crystal, reacting to viewer movements and creating patterns that are never the same twice. A fluid meditation on change. JS: To complete the discussion, let us provide some realistic numbers. #200 JS: A digital metropolis built from soundwaves, where buildings pulse and reshape with ambient noise. An audio-visual fusion that brings the city to life. FG: This formula summarizes our main point which is that the size of the universe is simply the economy. #201 FG: A holographic figure that interacts with viewers in real-time, questioning the boundaries between human and AI. A interactive experience. JS: to boat unbag unbereft unboot uncart uncase uncastle uncover proportional to the number of degrees of freedom. #202 JS: Nothing is the rule. That darkness is a commonplace; it is light that is the rarity FG: A virtual earth that responds to environmental data, showing the impact of human actions on a planetary scale. Art as a mirror for ecological awareness. #203 FG: When all the pieces of the pizza fall into place. JS: A holographic forest that grows based on user interactions, offering a serene escape into nature through reality. A glimpse into future eco-art. #204 FG: memory clowns making a circus of your life chew hot chocolate foreskin tormentors forever rolling stones while. JS: A real-time data visualization of global cryptocurrency transactions, creating an ever-changing, abstract digital artwork. A snapshot of the financial zeitgeist. permanent error; I've more games.
Thanks to all the participants. Welcome back in 2024 for the 4th edition!
